Yeah, I might have to flip that.I was fooling around with a mandolin at the pawn shop yesterday... Too many strings for my dumb hands. I'll stick to four.
Yeah, I might have to flip that.I was fooling around with a mandolin at the pawn shop yesterday... Too many strings for my dumb hands. I'll stick to four.
Ok. I had a Squier Telecaster body given to me that had been badly rattle can repainted in seafoam green. Originally it was a cream color. Not being a fan of seafoam it had to go so the first thing I did was use a belt sander to add the forearm relief. I've done a few of these, having first read that Seymour Duncan and the forearm carve he did for Jeff Beck on a Tele in his early days of guitar repair and modifications before his pickup company started. I took also sanded the green off the whole front and then pulled out a torch to burn off the factory finish. (it's the quickest way) It was going good, the paint was just popping off in dime sized pieces and the bare spots were barely singeing when I got to looking at it and the "burnt Tele" idea was born. It just looked good to meso I let it cool a bit and flipped it over to do the same thing to the back, leaving more of the seafoam intact. The black sections are singed but not charcoaled. The next process was really just a quick rub down with walnut stain, it softened the green and blended to bare wood into the burnt adding a nice greasey look to the edges of the cream paint pops and bringing some unique coloring to the "belt buckle" scratches in the back, hence the name "Greasefire". After drying a few days I sprayed the whole thing down with satin clearcoat Minwax I think... that's the brand of stain and related products I usually use on furniture and cabinetry projects, because like Dupont, 25 yrs from now those color codes will be the same almost industry standard. There was never a pickguard on it thru out, the nice discoloring there is Fender's original cream paint. So as you can see, this finish just presented itself, as we often find on out bike builds, sometimes objects reaction to our efforts steer the direction the design goes, just as much as our own visions do. Electronics are straight forward with the addition of a fourway switch which adds the series combo to the pickup choice. It has a hot Epiphone humbucker in the neck and a vintage Fender in the bridge, a pretty classic pairing, replacing the weak tele neck pup. Add a neck from a generic builder on eBay and basic hardware and you have it. Thanks for the interest, I've seen burnt Strats before with the whole Jimi history and mystique, but I've yet to see another burnt Tele. It's almost sacrilegious!@GuitarlCarl , I really like that top edge photo of the burnt Tele. So, can you share your process on this, I mean, other than just 'burning it'.
Especially curious about the dark black portions on the back, was there an oversized pick guard on the front that also melted, did you use any kind of 'finish' to seal it afterwards ? You know, so the fire wouldn't spread.
Fixed it for you!It's most sacri-licious!
Thanks Carl! I knew I'd get the full scoop from you.Ok. I had a Squier Telecaster body given to me that had been badly rattle can repainted in seafoam green. Originally it was a cream color. Not being a fan of seafoam it had to go so the first thing I did was use a belt sander to add the forearm relief. I've done a few of these, having first read that Seymour Duncan and the forearm carve he did for Jeff Beck on a Tele in his early days of guitar repair and modifications before his pickup company started. I took also sanded the green off the whole front and then pulled out a torch to burn off the factory finish. (it's the quickest way) It was going good, the paint was just popping off in dime sized pieces and the bare spots were barely singeing when I got to looking at it and the "burnt Tele" idea was born. It just looked good to meso I let it cool a bit and flipped it over to do the same thing to the back, leaving more of the seafoam intact. The black sections are singed but not charcoaled. The next process was really just a quick rub down with walnut stain, it softened the green and blended to bare wood into the burnt adding a nice greasey look to the edges of the cream paint pops and bringing some unique coloring to the "belt buckle" scratches in the back, hence the name "Greasefire". After drying a few days I sprayed the whole thing down with satin clearcoat Minwax I think... that's the brand of stain and related products I usually use on furniture and cabinetry projects, because like Dupont, 25 yrs from now those color codes will be the same almost industry standard. There was never a pickguard on it thru out, the nice discoloring there is Fender's original cream paint. So as you can see, this finish just presented itself, as we often find on out bike builds, sometimes objects reaction to our efforts steer the direction the design goes, just as much as our own visions do. Electronics are straight forward with the addition of a fourway switch which adds the series combo to the pickup choice. It has a hot Epiphone humbucker in the neck and a vintage Fender in the bridge, a pretty classic pairing, replacing the weak tele neck pup. Add a neck from a generic builder on eBay and basic hardware and you have it. Thanks for the interest, I've seen burnt Strats before with the whole Jimi history and mystique, but I've yet to see another burnt Tele. It's almost sacrilegious!
Guitarl.
And that ^ my friend, may be the name for a future bike build! "Sacri-licious".Fixed it for you!
Here's where I picked it up. Figured it appropriate for a music themed thread.And that ^ my friend, may be the name for a future bike build! "Sacri-licious".
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